Tim Laman

| Wildlife Photojournalist

Wildlife Diaries

The Wildlife Diaries newsletter is the best way to keep up to date with Tim Laman’s latest work and travels, and to learn about photography and natural history as well. Read through his recent posts here or sign up to receive the posts via email using the form on the right.

Birds-of-Paradise

Lets Celebrate the Birds-of-Paradise #4: Blue Bird-of-Paradise

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Dear Friends,
I hope you are all well, and staying safe wherever you are.   I’m continuing to dig into my archive to share some favorites and some unpublished Bird-of-Paradise images.  I’ve chosen the Blue Bird-of-Paradise to feature this week.  

Blue Bird-of-Paradise in Fruiting Tree

The Blue Bird-of-Paradise is one of the most legendary of the Birds-of-Paradise because of its phenomenal coloration and relative rarity.  I journeyed to the Southern Highlands of Papua New Guinea to photograph this species, and it turned out to be one of the most challenging I have encountered.  This was not because the bird was hard to find, but due to the fact that I wanted to photograph the male performing his courtship display.  Displays, I found, were extremely unpredictable.  It turned out that unlike some Birds-of-Paradise that are quite reliable once you find a display site (like the Western Parotia I shared in the last Wildlife Diaries), the Blue bird has not one, but many different display perches in the forest.  It was almost impossible to be at the right one that he would choose to display at on a given day.
 
After many days of failure at display sites, I decided to concentrate on photographing at a feeding tree where we had seen the male visiting regularly.  Indeed, he came to this tree several times a day, and by waiting him out, I captured a number of interesting feeding shots.  This image is my favorite, because he was on a low branch with a clean background, posed at a beautiful angle across the frame, and the light was such that his blue plumage seems to glow from within.

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Lets Celebrate the Birds-of-Paradise #3: Western Parotia

Dear Friends, 

I hope you are all well, and staying safe wherever you are hunkering down during these crazy times.  I’m at home and won’t likely be making my usual field trips any time soon, but I’m still thinking about the amazing Birds-of-Paradise that I enjoy photographing and sharing with you so much.  While I can’t be creating fresh images right now, I have an archive with a wealth of images and stories that I hope might brighten your day just a little.  So I’m continuing my celebration of the Birds-of-Paradise with a focus on the Western Parotia this week.   

Print Giveaway:  Like the past couple weeks, I’m going to have a drawing at the end of this week to give away a print, this time it will be the first Western Parotia image featured below.  If you have received this newsletter, then you are automatically entered.  On Saturday, we will randomly select one of my newsletter subscribers, and the winner will get an email as well as be announced on my Facebook page.   
Western Parotia Ballerina Dance

The Western Parotia is endemic to the mountains in the far western part of the big island of New Guinea.  Parotia’s may not be the most colorful of the birds-of-paradise, with their mostly black plumage, but they make up for that by having the most complex (and in my opinion, most humorous) courtship performance of any of the birds-of-paradise.  

The male Parotia clears and maintains a dancing arena called a “court” somewhere in the forest in a nice level place.  He cleans fallen leaves and debris daily to maintain it.  The strategy for photographing this behavior is to locate an active court and construct a blind nearby.  I spent many exciting days sitting in blinds watching the male Parotia take care of his court, do practice displays, and occasionally, display to one or more females.  I of course photographed all aspects of male behavior, including the initial bow (below) at the start of the ballerina dance sequence, but my primary target was the signature move known as the “ballerina dance”.  The male has a special set of elongated breast feathers that he fans out like a ballerina’s tutu during the display to create this unusual shape.  So of course, on my early trips to the Arfak Mountains to photograph this species, my goal was to capture the bird in peak action, with skirt fanned.   

The image above is my favorite of the ballerina dance, because I feel like it captures a bit of the personality and intensity that this small bird appears to put into his display.  When I first saw a Parotia actually raise his skirt into the ballerina pose, and shake the six wire-like feathers on his head back and forth, it was actually hard to keep from laughing, though I was trying to concentrate on my photography!  I hope the image brings a smile to your face as well. 
         The ballerina dance is preceded by a bow.

Like the story I shard in my previous Wildlife Diaries about the Wilson’s Bird-of-Paradise display, I of course also wanted to capture the females who were coming to watch the performance.  Like the Wilson’s, the Parotia females looked down from above to the male performing his display.  I remember wondering what the display looked like to them during my first trip to photograph this bird way back in 2004, but not really having a way to get a camera up above looking down. 
 Females watch a male Western Parotia perform his ballerina dance from a horizontal perch directly above him.

Fast forward to 2016, when Ed Scholes (of the Cornell Lab of Ornithology) and I were approached by Silverback Films to shoot a sequence for their Netflix series “Our Planet”.  We now had a chance to go back to the Arfak Mountains with new tools at our disposal, and try to tell the full story of the display of the Western Parotia, including the female’s perspective.  We made two expeditions of a month each, working on filming Parotia and other species in the area.  If you have some time on your hands, I think you will enjoy checking out the “Our Planet – Jungles” episode on Netflix, where you can see the full sequence of the Western Parotia display behavior that we captured.  Just as a teaser, below is a still from video showing the climactic moment in the ballerina dance when the male pauses in one place, and flashes his breast shield upward to the female.  To our knowledge, our footage captured for this film was the first recording of what the female sees during a Western Parotia display.  As with our documentation of Wilson’s display, it is very exciting to film a behavior in the wild in a way it has never been seen before, and especially one that reveals new biological information.  In fact, as a biologist/photographer, these kinds of opportunities are one of things I find most satisfying about my work.   

This is the top-down image that revealed what the female sees from her perspective.  When the male aims his breast shield upward, the female sees a bright flash of yellow suddenly appear in the middle of the black oval.
(© Tim Laman/Silverback Films).
Tim Laman Fine Art

Behind the Scenes Shots:   

The most important factor for success in a bird-of-paradise filming mission is to find the right male who is active and attracting females.  For the Silverback/Netflix shoot, with the help of local landowner guides, we scouted more than ten courts before choosing one for filming.  The one we chose showed good signs of activity, and was in a beautiful setting that also had space around if for setting up blinds.   

To tell the story of the Parotia male maintaining his court, doing practice displays and performing for females, we wanted to have many different camera angles.  The way we accomplished this was a combination of my shooting with a RED Digital Cinema camera from blinds, which we moved to shoot different angles on different days, combined with remote cameras hidden in different positions around the court.  By moving these hidden cameras around to capture different viewpoints almost every day, we created a wide variety of shots to choose from for the editors to build the sequence.   

Our days usually started at 3 or 3:30 AM when we got up to prep for the day and hike to the location allowing an hour of darkness to get remote cameras set up and get in position before the male would arrive at dawn.  Doing this day after day for weeks can be exhausting, but the end result – filming something that’s never been seen before – is worth it! 
Ed Scholes inspects one of the many Parotia courts scattered throughout the forest.  Ed’s expertise (he did his Ph.D. on Parotia behavior) was key to choosing the best court, and predicting what the male was going to do. 
The palm leaf covered hut beyond the Parotia’s court is one of my blinds, where I stayed well hidden while shooting the Parotia with a RED camera and long lens.  I spent many hours a day in blinds like this for many weeks to build up the shots for the Netflix sequence. 
Inside a dark blind near the display court, Ed Scholes controls three remote cameras from iPads.  These cameras were placed out in the dark, early in the morning before the bird arrived. 

Gallery Update:   

We regularly add new images to my galleries at www.timlamanfineart.com.  Recent additions include hummingbirds from Sunnylands added to the open edition paper prints category, and also a collection of favorite East Africa images from my recent trips.  Please have a look! 

I hope you are enjoying these images and stories, and can also get outside and enjoy the beauty of birds in your own area, wherever you are. 

Stay safe everyone! 

Tim 

https://www.timlaman.com/wildlife-diaries/2020/04/2876/

Lets Celebrate the Wilson’s Bird-of-Paradise

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Dear Friends,
I’m continuing my celebration of the Birds-of-Paradise this week since it doesn’t look like any of us are going to the field any time soon.  I have chosen Wilson’s BoP as the next species to feature from my archive.
 
Print Giveaway:  Like this past week, I’m going to have a drawing at the end of this week to give away a print, this time it will be the first Wilson’s BoP image featured below.  If you have received this newsletter, then you are automatically entered.  On Friday, we will randomly select one of my newsletter subscribers, and the winner will get an email as well as be announced on my Facebook page. 

Wilson’s Bird-of-Paradise Head-down Display
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Lets Celebrate the Red Bird-of-Paradise

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Dear Friends,
I hope you are all well, and staying safe wherever you are hunkering down during these unprecedented times.   I’m at home and won’t likely be making my usual field trips any time soon, but I find myself thinking about the amazing Birds-of-Paradise that I enjoy photographing and sharing with you so much.  They are still out there in the forests of New Guinea doing their thing, and while I can’t be creating fresh images right now, I have an archive with a wealth of imagery and associated stories that might help brighten your day just a little during these crazy times.

So for the coming weeks, I’m going to share a favorite Bird-of-Paradise image each week, and to make it more fun, I’m also going to have a drawing to give away a print of that image each week.
Print Giveaway:  If you have received this newsletter, then you are automatically signed up for my weekly Bird-of-Paradise print giveaway.  Each Friday, we will randomly select one of my newsletter subscribers to receive a print of that weeks featured image, and announce the winner on my Facebook page.
It was 2004, during the first year of my Birds-of-Paradise Project.  I was working on an assignment for National Geographic magazine, and the objective was not to photograph all the birds-of-paradise (that came later), but to capture some of the most iconic, most extraordinary, most beautiful species.  In my estimation, the Red Bird-of-Paradise made that short list.
         The Red Bird-of-Paradise is definitely not one of the easiest birds-of-paradise to photograph.  It only inhabits a handful of islands off the western tip of New Guinea, in the Indonesian region called the Raja Ampat Islands.
         All that my collaborator Ed Scholes and I had to do was to fly half way around the world to Jakarta, then east, hopping islands across Indonesia.  Then we travelled by boat with local guides to the island of Batanta, hired porters in a village, hiked up into the mountains and set up a camp.  Then we had to find the birds.  After a few days, we found where the birds were displaying, but there was just one catch.  The display site appeared to be the tallest tree in this whole area.  There was plenty of activity, and the location seemed very promising.  But the tree climb was going to be a problem.  I was going to have to climb this tree in stages.
         I was back the next morning after the birds had left.  After a few tries shooting a fishing line with my bow and arrow, I got my arrow over one of the large branches that looked like it wasn’t even half way up the tree.  It was a start.  I pulled up my rope and climbed to that point.  Then I used a weight bag on the end of a throw line to toss over higher and higher branches, pulling my rope over and climbing up each time until I was finally up to the level where the birds had been displaying.
         As I rose above the crowns of the surrounding trees, an amazing view opened out over the rain forest of Batanta Island.  After taking in this view, I kept climbing.  I built a blind 50 meters (165 feet) above the ground, the highest I had ever constructed, perched among branches in the opposite side of this giant tree to where the birds display branches were.
         Then for several days, rising well before dawn, I hiked to the site and climbed my rope in the dark, hauling my camera and lenses in a pack dangling below me.  I distinctly remember one morning, breaking out into the more open upper canopy and seeing an incredible starry sky as I inched up the rope in the blackness with my headlamp off.  It was a surreal feeling, like I was climbing a rope into outer space.
         The real excitement came though, once I got set up in the blind and it started to get light. The moment came when one male became excited by a nearby female and went to the broken off branch that appeared to be his prime display spot.  He turned to face the sunrise and I got this shot.  I knew I had seen something special from a viewpoint perhaps never recorded before.
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The Story of my Sunrise Bird-of-Paradise shot

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Dear Friends,
One of the things I’m asked about most often is what went into creating some of my unique images, especially those made at the top of rain forest canopy.  So I thought I would share the story behind one of my most iconic images – The Bird-of-Paradise Sunrise – an image that has been used to champion the conservation of rain forests of the New Guinea region.

A male Greater Bird-of-Paradise displays his plumes as the rising sun illuminates the mist over the rain forest of the Aru Islands, Indonesia.
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Inaugural Birds-of-Paradise Flash Sale

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Dear Friends,

To celebrate Earth Day and the addition of my Birds-of-Paradise to our print store, we are offering a special selection of square 12 x 12 inch prints for only $100 each.

Each print will be hand-signed by Tim Laman in the one-inch white border. Normally priced at $150, this special $100 sale lasts for just four days, from April 19-22.

Square Prints on Sale for $100!

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